Mastering Audio, Third Edition: The Art and the Science

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Mastering Audio, Third Edition: The Art and the Science

Mastering Audio, Third Edition: The Art and the Science


Mastering Audio, Third Edition: The Art and the Science


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Mastering Audio, Third Edition: The Art and the Science

Become a master of audio.This bestselling book has shown thousands of mixing and mastering engineers, musicians, A&R producers how to create great sound. It fully integrates technical with artistic and is idea for students and working professional/ Mastering Audio is you complete reference: don't leave the studio without it! What is mastering? Mastering it the last creative step when producing a record album or single for disc, home music server, iPod, broadcast or internet delivery. Mastering Audio unravels the technical mysteries that challenge audio engineers daily-in an easy to grasp, holistic manner. Learn new and powerful artictic techniques for sterio and surround sound. To master audio you must become the master of audio* Written by a well respected engineer who has engineered albums which have won the Grammy * Provides you with information on the latest techniques and processes used in mastering * Covers equipment, training and the business of mastering and answers all the frequently asked questions

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Product details

Paperback: 352 pages

Publisher: Focal Press; 3 edition (October 15, 2013)

Language: English

ISBN-10: 0240818962

ISBN-13: 978-0240818962

Product Dimensions:

10 x 1 x 8 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

94 customer reviews

Amazon Best Sellers Rank:

#96,803 in Books (See Top 100 in Books)

This is a terrific book if you know what you're getting. Want to know what top mastering pros worry about? This book will tell you. Want to know what the mixdown engineer should worry about and what should be done when mastering? That's here. Want to know what jitter is, what signal levels are appropriate for various purposes, this book will tell you why as well as how. Want to know how a professional builds and tunes his or her multi-hundred thousand dollar studio, that's here too. This book will not directly tell you how to build a $1500 studio, how to pick a cheap microphone like an SM58, or how to do a quick and dirty job of mastering your home recordings.So why would anyone other than a pro read this book? Even if you're an advanced amateur, you might want to know things like: why you shouldn't use too much compression in your recordings, why your MP3s shouldn't max out on peak level, what jitter is and how you'd know the difference between a good and a mediocre A/D converter.This book is very readable, but it does go into some fairly serious technical analysis of signal processing. If math scares you, then there are some sections you'll want to skim.Overall, one of the best books on audio I've read (and I am very much an amateur, albeit with a background in physics and in software). I read it from cover to cover, thoroughly enjoyed it, and learned a ton. No, I won't be able to afford most of the equipment that he discusses, but I've learned a lot about the capabilities and limitations of the cheaper signal chains that I do get to use.

Definitely a necessity for anyone in the music recording industry, artist or engineer.The day I ordered it I read a bunch of forums about how this is the De Facto literature on Mastering for the beginner/non-professional and is still a necessity for the professional as your, pretty much only, reference material.After I bought it Went to a music producers studio and the book was lying on the ground so I told him I just bought, and he said, "Nice, you are going to need it, lots of invaluable info in there". However, if you don't have a school or $20k at your disposal it is going to be difficult to practice without the artists at your disposal or the ridiculously expensive mastering gear necessary. Go watch some YouTube videos on mastering before "Diving In".It turns out most mastering technique is, "It all depends". Well, it depends on the artist, the genre, the recording, the artist preference, your equipment, and when it comes down to it, simply, Does it sound good?"

Bob's Technical and artistic as well as unselfish expertise, knowledge and wisdom , makes this book a unique and invaluable book that has a depth no other in the field has shared or written. Most mastering engineers would never release their knowledge and years of experience that will eventually vanish and most will never know, realized or learn.If you are serious about Mastering, this is a must to own and buy. It will move you ahead in time in many aspects about the career and open your mind to what you might learn in 20+ years in the profession. This book encompasses 30+ years of solid experience nowhere to be found.Simply a fact.

My very favorite book about audio!!!

Ok. The author is a "somebody" in the world of high-end audio. I recognized his name from articles appearing in Stereophile magazine, most recently in the January 2015 issue. He knows more about the recording process than most anyone. He communicates his ideas very well, but, most importantly, he address the most relevant subjects and issues.This is a great book for an audiophile to read because it examines the details of source origination -- the recording process -- and relates it directly to the playback process. The chapters on mastering are must reading, especially the discussion of loudness, monitor quality, and monitor setup. Oh, and don't forget the chapter on jitter. This term is thrown around in audio equipment analysis as if everyone knows what it is. The discussion is so confusing elsewhere, one might be thinking it has something to do with insects dancing inside a USB cable (jitterbugs). Read what Katz has to say. Very informative.I loved the book, and will keep it as a reference. Too bad it didn't come with a hard cover, or a better cover. The cover paper is really cheap quality, but I won't subtract a star for that.

This is the first book I have come across the addresses both the artistic and scientific sides of audio tools. Concepts like compression and equalization are analyzed and explained in a concise and clear way. The book addresses topics like A/D conversion, clocking, dithering, etc. that are rarely discussed in depth in other books.

Bob Katz is the man. Thank you for such an amazing book that has transformed my entire studio experience.

This guy is the guru. Really illuminated my technique. This is much more on understanding the function of different mastering processes, the reasons, the techniques, the technology, than any particular equipment.

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Mastering Audio, Third Edition: The Art and the Science


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