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Paris Noir: African Americans in the City of Light By Tyler Stovall

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Amazon.com Review
Significant numbers of black Americans went to France for the first time in World War I as part of the U.S. armed forces and discovered a country where they were free of the strictures of racism. This comprehensive look at black Americans' historical affection for Paris in the 20th century covers literary figures like Richard Wright, entertainers like Josephine Baker and jazz musicians like Sidney Bechet and Kenny Clarke, as well as black academics, scientists and businessmen who found new lives in Paris. This is an important, and welcome book.
From Publishers Weekly
Stovall's revelatory chronicle reclaims an important yet neglected chapter of cultural history, delineating a cohesive community of black American expatriate writers, artists, musicians and intellectuals in Paris from 1914 to the present. During WWI African American soldiers, targets of discrimination on the front and back home, were welcomed cordially by ordinary French citizens. Attracted by the myth of a color-blind France, Harlem Renaissance writers Langston Hughes, Claude McKay and Countee Cullen flocked to Paris; Josephine Baker conquered the stage with her sensational performances; jazz musicians Miles Davis, Charlie Parker and Bill Coleman lived in and drew inspiration from the City of Light. In the 1930s African American expatriate writers and artists in Paris helped launch the Negritude movement. Postwar Paris became a magnet to writers like Richard Wright, James Baldwin and detective novelist Chester Himes, who saw themselves as political exiles from a racist U.S. They fit into a vibrant Left Bank community that maintained close ties with Camus, Cocteau, Sartre, de Beauvoir. The 1960s and '70s saw an influx of African American emigre scientists, photographers, restaurant owners, taxi drivers, diversifying the community that today faces the rise of overt French racism. Stovall, a history professor at UC Santa Cruz, begins with an account of his own transformative experience as an African American in Paris in the early 1980s. His engrossing survey makes a compelling case that these expatriates pioneered a new type of cosmopolitan black community, one that celebrated black identity and helped them achieve a level of success denied to them back home, while they explored different modes of African-based culture from around the world. Photos not seen by PW.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Appleby's (coeditor, Being Right, Indiana Univ., 1995) collection of essays, produced under the sponsorship of the Fundamentalist Project of the American Academy of Arts and Sciences, focuses on religious orthodox movements in the Middle East. Some of the selections from scholars exploring well-known and less-popular Islamic movements include Daniel Brumberg's "Khomeini's Legacy: Islamic Rule and Islamic Social Justice" and Ziad Abu-Amr's "Shaykh Ahmad Yasin and the Origins of Hamas." Gideon Aran's "The Father, the Son, and the Holy Land" covers the Jewish component of Gush Emunim (the Bloc of the Faithful), while Samuel C. Heilman's "Guides of the Faithful" discusses the current extreme right wing and the assassination of Prime Minister Rabin. Yaakov Ariel rounds out the Christian element with "A Christian Fundamentalist Vision of the Middle East." A major conclusion is that religious fundamentalism has become an increasingly important geopolitical factor. This is a fine contribution to the comparative study of religion and necessary to understanding the relationship of religion to politics in the region.-Sanford R. Silverburg, Catawba Coll., Salisbury, N.C. Stovall, Tyler. Paris Noir: African Americans in the City of Light. Houghton. Dec. 1996. c.347p. photogs. bibliog. index. LC 96-24566. ISBN 0-395-68399-8. $24.95. In this significant social and cultural ory, Stovall (The Rise of the Paris Red Belt, Univ. of California, 1990) takes on jazz, literature, and interracial relations in Montmartre and Montparnasse from 1918 to the present. Highlighting a detailed and balanced account of African Americans in Paris are the triumphs and tenacity of Josephine Baker; the careers and failed friendship of Richard Wright and James Baldwin; and the lives of Sidney Bechet and other jazz greats. Such personal accounts stand out from a more general story of how African Americans found respect, affection, and equality accorded to them by French people, who often preferred them to white Americans or African blacks. Stovall explores in this context French tastes for exoticism and interracial relationships. Stovall's work is substantive enough for scholars and vivid enough for the general reader. An essential purchase for libraries.
--R. James Tobin, Univ. of Wisconsin Lib., Milwaukee
Copyright 1996 Reed Business Information, Inc.
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